Choisir son bec

Choosing a saxophone or clarinet mouthpiece

Opening, facing length, design… The characteristics of a mouthpiece have a direct influence on playing feel and the resulting sound. Discover the specific features of our different models, as well as the key criteria to consider when choosing your mouthpiece.

Choosing a saxophone or clarinet mouthpiece
  • Prologue

    Level: Beginner
    Features: Easy, ligature and cap included
    Instrument: Alto

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  • S80

    Level: Intermediate / professional
    Characteristics: Warm, focused, easy
    Instruments: Sopranino, Soprano, Alto, Tenor, Baritone, Bass

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  • S90

    Level: Intermediate / professional
    Characteristics: Bright, focused, easy to control
    Instruments: Soprano, Alto, Tenor, Baritone

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  • Concept

    Level: Intermediate / professional
    Characteristics: Warm, balanced, effortless
    Instruments: Soprano, Alto, Tenor, Baritone

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  • Density

    Level: Intermediate / professional
    Characteristics: Rich, focused, easy
    Instrument: Alto

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  • Claude Delangle

    Level: Professional
    Characteristics: Powerful, brilliant, innovative
    Instrument: Alto

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  • Soloist (C*, C**, D)

    Level: Intermediate / professional
    Characteristics: Versatile, bright, well-balanced
    Instruments: Alto, Tenor

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  • Jazz Flow

    Level: Beginner to professional
    Characteristics: Powerful, homogeneous, universal
    Instrument: Alto

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  • Jazz Tribute

    Level: Beginner to professional
    Characteristics: Warm, deep, authentic
    Instrument: Tenor

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  • Super Session

    Level: Beginner to professional
    Characteristics: Warm, balanced, rich in overtones
    Instrument: Soprano

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  • Soloist (E, F, G)

    Level: Intermediate / professional
    Characteristics: Versatile, bright, balanced
    Instruments: Alto, Tenor

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  • Focus

    Level: Beginner
    Characteristics: Easy, focused, balanced
    Instruments: Bb/A and bass

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  • Concept

    Level: Intermediate / professional
    Characteristics: Focused, powerful, brilliant
    Instruments: Bb/A and bass

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  • Echo

    Level: Intermediate / professional
    Characteristics: Colorful, flexible, even-toned
    Instrument: Bb/A

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  • Density

    Level: Intermediate / professional
    Characteristics: Responsive, warm, balanced
    Instrument: Bb/A

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Henri SELMER Paris mouthpiece comparisons

Hear the differences in sound between our various mouthpiece models through these video comparisons featuring musicians.

From a round sound to a bright sound

Which mouthpiece to choose for the sound you are looking for?

Each mouthpiece has its own tonal character. Depending on its design, it can produce a rounder, softer and warmer sound, or, conversely, a brighter, more direct and incisive sound.

To help you compare the different tonal qualities of our mouthpieces, we have placed them on a scale ranging from roundest to brightest.

Understanding the different parameters

Mouthpiece anatomy

Choosing the right mouthpiece is very important, as it affects attack response, intonation, projection and the roundness of the sound.

There is no such thing as a universal mouthpiece that allows everyone to achieve optimal results. Choosing a mouthpiece is a very personal decision, as it depends on each musician’s musical goals and physical characteristics (mouth musculature, oral cavity, teeth and lips). This is why it is important to offer a wide range of combinations.

Mouthpiece structure

There is a direct relationship between the physical characteristics of a mouthpiece (tip opening, table and baffle) and its musical and acoustic characteristics (tone, roundness, volume, intonation and ease of playing).

Even the slightest variations in the dimensions of the different parts of a mouthpiece can lead to significant differences in the resulting sound!

The baffle, for example, acts as a reflector for the reed. The higher it is (closer to the reed), the more bright the sound; conversely, the lower the baffle, the rounder the sound.

Generally speaking, the more the reed is constrained, the rounder the sound.

The window allows the reed to vibrate. A shorter window produces a rounder sound and greater resistance at the attack.

Similarly, the thicker the rail, the rounder the sound.

Opening & table length

The tip opening is the distance between the tip of the reed and the tip of the mouthpiece.

  • The larger this distance (open mouthpiece), the more powerful the mouthpiece will be, but the more difficult it will be to control.
  • The smaller this distance (closed mouthpiece), the easier the mouthpiece will be to control. For example, jazz mouthpieces are more open than classical mouthpieces in order to obtain more power, whereas classical mouthpieces prioritize control.

The facing length is the distance between the tip of the mouthpiece and the point where the reed contacts the table.

  • The longer the facing length, the rounder the sound will be.
  • The shorter this length, the more precise the attack will be. A jazz mouthpiece generally has a rather short facing to promote impact and brightness, while a classical mouthpiece will favor roundness of sound.