John Sampen holds degrees from Northwestern University and has studied with Frederick Hemke, Donald Sinta and Larry Teal. Dr. Sampen is a Distinguished Artist Professor at Bowling Green State University and is Past President of the North American Saxophone Alliance.
As one of America's leading concert saxophonists, John Sampen is particularly recognized as a distinguished artist in contemporary literature. He has commissioned over one hundred twenty-five new works, including compositions by Adler, Babbitt, Bolcom, Cage, Rzewski, Rands and Shrude and has premiered saxophone versions of music by Lutosławski, Stockhausen and Tower.
In 1970, Sampen was recitalist and certificate winner at the prestigious International Geneva Concours in Switzerland. He has soloed with ensembles from all over the world, including the Nurnberg Symphony Orchestra, Orchestra Internazionale d'Italia, New Mexico Symphony and Pittsburgh New Music Ensemble.
As recipient of NEA and Meet the Composer grants, John Sampen has been involved with commissions and premieres of new music by Albright, Babbitt, Martino and Subotnick. His London premiere of Subotnick's In Two Worlds with the Electric Symphony featured him as the first classical performer to solo on Yamaha's WX7 Wind Controller. The performance inspired an English critic to write of "the excellence, the musicianship and the total involvement of John Sampen... tremendous passion and eloquence."
Sampen has recorded with Belgian and Swiss National Radio and is represented on the Orion, CRI, Albany, AMP and Capstone record labels. A clinician he has presented masterclasses at important universities and conservatories throughout Europe, South America, Asia and North America. In addition to contemporary literature, Sampen regularly performs traditional saxophone repertoire in recital with pianist/composer Marilyn Shrude.
If you want to play fast, practice slowly.
The Series III Soprano ensures greater playability, particularly as regards pitch and blowing.
The blowing emission of its high register extended to high G has been largely facilitated. Selecting a straight or curved neck allows to get well acquainted with it.
Available for the entire range of saxophones, the S80 has achieved an unprecedented level of popularity. It is characterized by its very warm grained, broad and full toned sound.